My Urdu Joke
Urdu
Urdu is a Central Indo-Aryan language of the Indo-Iranian branch, belonging to the Indo-European family of languages. It is one of the two official languages (the other being English) of Pakistan. It is also one of the 22 scheduled languages of India and is an official language of five Indian states. Its vocabulary developed under Persian, Arabic and Turkic. In modern times Urdu vocabulary has been significantly influenced by English. Urdu was mainly developed in western Uttar Pradesh, India, which is the seat of Hindustani languages in the Indian Subcontinent, but began taking shape during the Delhi Sultanate as well as Mughal Empire (1526-1858) in South Asia. Urdu is the means of communication between the people from various provinces and regions of Pakistan, and the Pakistanis and Indians too. Due to historical affinities and a large number of Afghan refugees in Pakistan, Urdu is already read, understood and spoken by most Afghan population.
Urdu Dialects
Urdu has four recognised dialects: Dakhni, Rekhta, and Modern Vernacular Urdu (based on the Khariboli dialect of the Delhi region). Sociolinguists also consider Urdu itself one of the four major variants of the Hindi-Urdu dialect continuum.
Dakhni (also known as Dakani, Deccani, Desia, Mirgan) is spoken in Deccan region of southern India. It is distinct by its mixture of vocabulary from Marathi and Telugu language, as well as some vocabulary from Arabic, Persian and Turkish that are not found in the standard dialect of Urdu. In terms of pronunciation, the easiest way to recognize a native speaker is their pronunciation of the letter "qāf". Dakhini is widely spoken in all parts of Maharashtra, Karnataka, Andhra Pradesh and Tamil Nadu. Urdu is read and written as in other parts of India. A number of daily newspapers and several monthly magazines in Urdu are published in these states.
Pakistani variant of the language spoken in Pakistan; it becomes increasingly divergent from the Indian dialects and forms of Urdu as it has absorbed many loan words, proverbs and phonetics from Pakistan's indigenous languages such as Pashto, Panjabi and Sindhi. Furthermore, due to the region's history, the Urdu dialect of Pakistan draws heavily from the Persian and Arabic languages, and the intonation and pronunciation are informal compared with corresponding Indian dialects.
In addition, Rekhta (or Rekhti), the language of Urdu poetry, is sometimes counted as a separate dialect, one famously used by several British Indian poets of high acclaim in the bulk of their work. These included Mirza Ghalib, Mir Taqi Mir and Muhammad Iqbal, the national poet-philosopher of Pakistan.
Urdu Poetry and Literature
Urdu has been one of the premier languages of poetry in South Asia for two centuries, and has developed a rich tradition in a variety of poetic genres. The 'Ghazal' in Urdu represents the most popular form of subjective music and poetry, while the 'Nazm' exemplifies the objective kind, often reserved for narrative, descriptive, didactic or satirical purposes. Under the broad head of the Nazm we may also include the classical forms of poems known by specific names such as 'Masnavi' (a long narrative poem in rhyming couplets on any theme: romantic, religious, or didactic), 'Marsia' (an elegy traditionally meant to commemorate the martyrdom of Hazrat Husayn ibn Ali, grandson of Muhammad, and his comrades of the Karbala fame), or 'Qasida' (a panegyric written in praise of a king or a nobleman), for all these poems have a single presiding subject, logically developed and concluded. However, these poetic species have an old world aura about their subject and style, and are different from the modern Nazm, supposed to have come into vogue in the later part of the nineteenth century.
Probably the most widely recited, and memorised genre of contemporary Urdu poetry is nāt-panegyric poetry written in praise of the Prophet Muhammad. Nāt can be of any formal category, but is most commonly in the ghazal form. The language used in Urdu nāt ranges from the intensely colloquial to a highly Persified formal language. The great early twentieth century scholar Imam Ahmed Rida Khan, who wrote many of the most well known nāts in Urdu (the collection of his poetic work is Hadaiq-e-Baqhshish), epitomised this range in a ghazal of nine stanzas (bayt) in which every stanza contains half a line each of Arabic, Persian, formal Urdu, and colloquial Hindi. The same poet composed a salām-a poem of greeting to the Prophet Muhammad, derived from the unorthodox practice of qiyam, or standing, during the mawlid, or celebration of the birth of the Prophet-Mustafā Jān-e Rahmat, which, due to being recited on Fridays in some Urdu speaking mosques throughout the world, is probably the more frequently recited Urdu poems of the modern era.
Another important genre of Urdu prose are the poems commemorating the martyrdom of Husayn ibn Ali Allah hiss salam and Battle of Karbala, called noha and marsia. Anees and Dabeer are famous in this regard.